what is 432 hertz?
“If you want to find the secrets of the universe, think in terms of energy, frequency and vibration.”
– Nikola Tesla
What is 432 Hz tuning?
A=432 Hz, known as Verdi’s ‘A’ is an alternative tuning that is mathematically consistent with the universe. Music based on 432Hz transmits beneficial healing energy, because it is a pure tone of math fundamental to nature.
According to Brain T. Collins, a musician and researcher, the standard pitch (A=440 Hz) does not harmonize on any level that corresponds to cosmic movement, rhythm, or natural vibration. The greatest musicians, such as Mozart and Verdi, based their music on the natural vibration of A=432. It’s true that it is only 8 vibrations per second different from the standard tuning, but this small difference seems to be remarkable to our human consciousness.
There’s a growing musical and metaphysical movement for recovering optimal integrity in the music industry and spirituality through the 432Hz tuning. In April 2008 Dutch journalist Richard Huisken founded the ‘back to 432 Hz’ committee, claiming that this original tuning was used in ancient cultures and is found on antique instruments like the Stradivarius violin.
Where does it come from?
According to Ananda Bosman, international researcher and musician, archaic Egyptian instruments that have been unearthed are largely tuned to A=432Hz. Ancient Greeks tuned their instruments predominantly to 432Hz. Within the archaic Greek Eleusenian Mysteries, Orpheus is the god of music, death and rebirth, and was the keeper of the Ambrosia and the music of transformation. His instruments were tuned at 432Hz.
Guiseppe Verdi, an Italian composer, placed A exactly at 432 Hz. He did this because this tuning is ideal for opera voices. Jamie Buturff, sound researcher, found out that some Tibetan monks used this tuning in their hand-made instruments. He put a CD with Tibetan singing bowls into his player and used a Korg tuner to discover that the bowls were all harmonic to the 432 music scale.
This musical tuning can be found throughout various religions and cultures of the ancient world. It seems that implementing it into the musical instruments was a good choice. Even today, many musicians report positive effects from retuning to 432 Hz, such as better audience response and a more laid-back feel to their performances.
Why the modern world forgot about this tuning?
This is because in 1885 it already had been decided that A at 440 Hz had to be the standard tuning. A year earlier, Guiseppe Verdi wrote a letter addressed to the Music Commission of the Italian Government. In the letter he writes:
“Since France has adopted a standard pitch, I advised that the example should also be followed by us; and I formally requested that the orchestras of various cities of Italy, among them that of the Scala [Milan], to lower the tuning fork to conform to the standard French one. If the musical commission instituted by our government believes, for mathematical exigencies, that we should reduce the 435 vibrations of French tuning fork to 432, the difference is so small, almost imperceptible to the ear, that I associate myself most willingly with this.” Guiseppe Verdi
Unfortunately, the great composer was unsuccessful in his attempt. The American Federation of Musicians accepted the A440 as the standard pitch in 1917. Around 1940 the United States introduced 440 Hz worldwide, and finally in 1953 it became the ISO 16-standard.
There is a theory that the change from 432Hz to 440Hz was dictated by Nazi propaganda minister, Joseph Goebbels. He used it to make people think and feel a certain manner, and to make them a prisoner of a certain consciousness. The Joseph Goebbels theory is certainly interesting, but the true reason of the shift to 440Hz is still not clearly explained.
Before 440Hz became the standard, a variety of tunings were used. The controversy over tuning still rages, with proponents of 432Hz claiming it as being more natural than the current standard. Because of that, the “back to 432Hz” committee wants to get people acquainted with its qualities, and therefore hopes that the industry will change the musician standard.
However, changing the current standard won’t be a simple task, and it’s not because of the influence of any nefarious organization. In my opinion, the reason is more trivial. Most musical instruments can be adjusted in principle, but it’s not so easy for every instrument. For example, most woodwind instruments cannot play in 432Hz because changing the pitch will also change the internal harmonic structure of the whole instrument. The change would require building new instruments.
With this concept in mind, let us bring our attention to the frequency of the music we listen to. Most music worldwide has been tuned to A=440 Hz since the International Standards Organization (ISO) promoted it in 1953. However, when looking at the vibratory nature of the universe, it’s possible that this pitch is disharmonious with the natural resonance of nature and may generate negative effects on human behavior and consciousness.
432 Hz is said to be mathematically consistent with the patterns of the universe. It is said that 432 Hz vibrates with the universe’s golden mean, Phi, and unifies the properties of light, time, space, matter, gravity, and magnetism with biology, the DNA code, and consciousness. When our atoms and DNA start to resonate in harmony with the spiraling pattern of nature, our sense of connection to nature is said to be magnified. The number 432 is also reflected in ratios of the sun, Earth, and moon, as well as the procession of the equinoxes, the Great Pyramid of Egypt, Stonehenge, and the Sri Yantra, among many other sacred sites.“From my own observations, some of the harmonic overtone partials of A=432hz 12T5 appear to line up to natural patterns and also the resonance of solitons. Solitons need a specific range to form into the realm of density and span from the micro to the macro cosmos. Solitons are not only found in water mechanics, but also in the ion-acoustic breath between electrons and protons.”– Brian T. Collins
Color Spectrum Resonance
Another interesting factor to consider is that A=432 Hz tuning correlates with the color spectrum and chakra system, while A=440 Hz tuning does not.
The Solar Spectrum and the Cosmic Keyboard
“All of the frequencies in the spectrum are related in octaves, from gamma rays to subharmonics. These colors and notes are also related to our Chakras and other important energy centers. If we are to understand that… Chakras are connected to the Seven Rays of the Solar Spectrum, then the notes and frequencies we use for the same should be the same. A432 Hz is the tuning of the Cosmic Keyboard or Cosmic Pitchfork, as opposed to the A440 Hz modern ‘standard.’ It places C# at 136.10 Hz ‘Om,’ which is the main note of the Sitar in classical Indian music and the pitch of the chants of the Tibetan monks, who tell us, ‘It comes from nature.’ “
– Dameon Keller
Exploring the Difference
Let’s explore the experiential difference between A=440 Hz and A=432 Hz. Music lovers and musicians have noticed that music tuned in A=432 Hz is not only more beautiful and harmonious to the ears, but it also induces a more inward experience that is felt inside the body, at the spine and heart. Music tuned in A=440 Hz offered a more outward and mental experience, and was felt at the side of the head and then projected outwards. Audiophiles have also stated that A=432 Hz music seems to be non-local and can fill an entire room, whereas A=440 Hz can be perceived as directional or linear in sound propagation.
The ancients tuned their instruments at an A of 432 Hz instead of 440 Hz – and for a good reason. There are plenty of music examples on the internet that you can listen to, in order to establish the difference for yourself. Attuning the instrument to 432 Hz results in a more relaxing sound, while 440 Hz slightly tenses up to body. This is because 440 Hz is out of tune with both macrocosmos and microcosmos. 432 Hz on the contrary is in tune. To give an example of how this is manifested microcosmically: our breath (0,3 Hz) and our pulse (1,2 Hz) relate to the frequency of the lower octave of an A of 432 Hz (108 Hz) as 1:360 and 1:90.
The overall sound difference was noticeable, the 432 version sounding warmer, clearer and instantly sounded more listenable but the 440 version felt tighter, with more aggressive energy.
The video below was created by someone with no opinion on whether A=432 Hz or A=440 Hz is better. Therefore, the way both versions of the melody is played is unbiased. It is up to us to tune in and decide which one feels more harmonious to us!
Here’s another example:
David Helpling – Sticks and Stones in 440 hz: http://youtu.be/PewsS9Y9pVo
David Helpling – Sticks and Stones in 432 hz: http://youtu.be/w8KEVikJMck
“Music based on C=128hz (C note in concert A=432hz) will support humanity on its way towards spiritual freedom. The inner ear of the human being is built on C=128 hz.”
– Rudolph Steiner